Wooster Craft Center Glazes Cone 5-6
Because of Robin McAlister, director for discussing these
Alumina Hydrate 35% 290
Kaolin (EPK) 25% 205
Bentonite 1% 8
David Franks Refurbishing Kiln Wash
1 cup kaolin
1 cup ball clay
1cup flint
1 cup fine grog
Water
OR
1 cup kaolin
1 cup ball clay
1 cup fine grog
Water
Gerstley Borate 49 1470 2940 3920
EPK 19 570 1140 1520
Flint 32 960 1920 2560
Total 100 3000 6000 8000
Soda Ash .2 6 12 16
Chrome 2 60 120 160
Cobalt Carbonate 1 30 60 80
Bentonite 2 60 120 160
Notes: Use chromium oxide for chrome.
Glaze is really a glossy deep eco-friendly color.
May use 5% zircopax for any white-colored.
Gerstley Borate 32
Talc 14
Flint 30
Kona F4 20
EPK 4
Total 100
Red Iron Oxide 15
Bentonite 2
Notes: Satin matte, wealthy reddish brown.
Breaking Out Red
Gerstley Borate 55
Talc 15
Flint 30
Total 100
Red Iron Oxide 22
Bentonite 2
Notes: Color variations with created or textured surfaces.
Gerstley Borate 50
EPK 15
Flint 35
Notes: Creamy yellow.
Frit 3134 20
Dolomite 20
Spodumene 20
Ball Clay 20
Flint 20
Tin Oxide 3
Red Iron Oxide 2
Bentonite 2
Notes: Satin light gold color very thin application turns rusty brown
while heavy application turns a mustard gold.
Gerstley Borate 50
EPK 15
Flint 35
Cobalt Oxide 2
Red Iron Oxide 3
Notes: Glossy deep blue. Utilizes Sarah's Folly.
Gerstley Borate 7.5
Talc 5.4
Dolomite 3.3
Kona F4 16.6
Nepheline Syenite 32.9
Whiting 7.1
Zinc 6.6
EPK 12.5
Flint 8
Cobalt Oxide* 2
or
Cobalt Carbonate** 2
Bentonite 2
Notes: *Using cobalt oxide can give an in-depth blue-crimson
**Using cobalt carbonate can give a pinkish-crimson
Blue Eco-friendly Matte
Ferro Frit 3195 20
Wollastonite 29
Neph Sy 4
EPK 30
Silica 17
Total 100
Rutile 6
Copper carbonate 3
Cobalt carbonate 1.5
Kona F4 41
Flint 19
Superpax* 11
Gerstley Borate 11
Whiting 7
Dolomite 5
Zinc 2
Tenn Ball Clay 1
Bentonite 2
Total 99
Copper Carbonate 2.5
Notes: *Superpax replaces zircopax. Superpax is more powerful so
use 1% less, therefore the recipe was altered to mirror that difference.
Initially the recipe known as for 12% zircopax.
Custer Feldspar 43.7
Cornwall Stone 21.7
Whiting 17.7
Zinc 7.5
EPK 4.2
Titanium Dioxide 4.2
Bentonite 1.4
Notes: Utilizes other glazes. Using Kona F4 makes
the glaze matte opaque white-colored.
Cone 7 Stoney White-colored/Orange Bone Ash Glaze
G-200 390
Dolomite 300
Bone Ash 50
Best over Iron bearing clay body. Thick application is white-colored, thinnest application is close to the base. Wealthiest brown areas convey more iron spray. Mesa College. James Jacobs
Temoku -- cone 6-7
feldspar 432
silica 260
whiting 210
kaolin 100
red iron oxide 200
bentonite 38
Mesa College. James Jacobs
nepheline syenite 545
spodumene 228
ball clay 149
gerstley borate 49
soda ash 29
Mesa College. James Jacobs
LEACH YELLOW SETO - CONE 6 OXIDATION
woodash 50
ochre 25
custer Feldspar 25
Keep glaze thin or else you will be scraping shelves. Becomes transparent yellow-colored brown and incredibly fluid when heavily applied. The mid way thin/thick of application is mottled just like a salt fired piece and it is satin matte. However I got great reds, yellows, browns, blacks on pieces where it's thinner. To create small rivers of ash I result in the same glaze substituting Red Art for that Ochre and trail it up with a slip trail bulb. Caution: use rubber mitts with filthy ash glazes or face the potential of contact eczema.
Metallic black, cone 6 ox
spodumene 50
gerst. bor 25
flint 25
black iron ox 10
cobalt ox 2
copper carb 4
This can be a gorgeous black with mottled silver effects. Has a tendency to run at cone
6. Make certain you've got a good feet around the piece.
Floating blue cone 6 ox .
neph sye 47.3
gerstely borate 27.
silica 20.3
kaolin 5.4
red iron ox 2
cobatl carb 1
rutile 4
bentonite 2
This glaze has existed the curvature a couple of million occasions, should have been
published here on clayart many occasions. Its a glossy tan background with lots
of blue
floating. This is an absolutely reliable glaze, does not run, pinhole etc. you
can't fail by using it.
Custer Spar 40
frit 3124 9
whiting 16
talc 9
epk 10
flint 16
Val's comments: wonderful surface. Really sensuous smooth satin matt. Kas
a type of glow like searching in a gem. All of the colors bare this same
character, an attractive base glaze.
a dependable cone 6 calcium matte glaze
Wollastonite 34.
Ferro Frit 3134 21.
Kaolin 45.
Glossy Mossy Flossy
Cone: 6 Color: White-colored, brown specks
Firing: Oxidation Surface: Less than glossy
Amount Component
400 Nepheline Syenite
300 Silica
100 Whiting
300 Gillespie Borate
200 Kaolin--EPK
100 Spodumene--Gwalia
Additives
100 Tin Oxide
11 Iron Oxide--Red
Suspends better with 1% Bentonite
Rutile Pad, cone 6, ox.
20 Whiting
56 Neph. Syenite
18 Kaolin
6 Silica
ADD
7 Rutile
9 Zinc. Ox.
Glaze test for Smooth White-colored, cone 6, ox.
48 Neph. Syenite
25 Silica
18 Whiting
8 Zinc
8 EPK Kaolin
4 Tin Oxide
=========== 111 gr.
Semi gloss, soft white-colored glaze, even and covering. Regards from Alisa in Denmark
Cone: 5-6 Finish: Tenmoku Atmosphere: Neutral
China Clay 5.
Nepheline Syenite 21.
Silica 40.
Filthy Ash 8.
Whiting 11.
Red Iron Oxide 15.
Since publication from the book we've ongoing to tweak our firing/cooling cycle to obtain the results we personally like. Our current cycle (which is constantly evolve) is:
Hello!
Just writing everyone that within South america, Lana Wilson's red thrived within my
eletric kiln.I applied it thick and used John Hesselberth's firing profile
(world wide web.frongpondpottery.com) but cooling rate of -125 each hour from 2190oF
lower to 1500oF, then allow it to awesome naturally. I acquired a wonderfull glossy wine
red.
I'll try to load pictures when I'm able to.
Thanks again for glaze gurus everywhere. I'm excited to check other
glazes.
Heloisa Nunes
Sao Paulo, South america
I refer to it as Post's 244
It's a cone 6 glaze fired having a slow awesome.
It feels great on the dark body and also the light body I've attempted it
on, although the dark is more potent visually.
28.7 EPK
21.5 Frit 3110
16.9 Dolomite
2.9 Talc
30 Flint
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Many contributors
Tenmoku may be the Japanese word for a kind of tea bowl first created in China throughout the Song Empire (960-1279). Additionally, it describes a mountain between China's Zhejiang and Anhui Provinces (Mt. Tienmu in Chinese, Mt. Tenmoku in Japanese).
